goreletter:gorelish
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+ | THE GORELETTER: | ||
+ | Arnzen' | ||
+ | |||
+ | http:// | ||
+ | |||
+ | +++ Vol 1.8, Mar. 3, 2003 +++ | ||
+ | |||
+ | **Gorelish** | ||
+ | |||
+ | ---- | ||
+ | ====BLATHER==== | ||
+ | Blather. Wince. Repeat. | ||
+ | |||
+ | Revising the English Major | ||
+ | |||
+ | Anglish: The Speech of Suffering\\ | ||
+ | Binglish: The Rhetoric of Friends\\ | ||
+ | Dinglish: The Linguistics of Claims Adjustors\\ | ||
+ | English: And Other Dead Languages\\ | ||
+ | Finglish: How to Read Braille\\ | ||
+ | Jinglish: Patriotic Wit during the War on Terror\\ | ||
+ | Kinglish: The Language of Mad George\\ | ||
+ | Minglish: Buck Rodgers' | ||
+ | Oinglish: Australian for Beer\\ | ||
+ | Penglish: Pittsburgh Hockey-speak\\ | ||
+ | Quinglish: Scrabble Words for Profit\\ | ||
+ | Ringlish: Translating Gollum\\ | ||
+ | Singlish: Dating Codes and Customs\\ | ||
+ | Tinglish: The Language of Love\\ | ||
+ | Vinglish: What Rhames Really Means\\ | ||
+ | Winglish: A Guide to McCartney' | ||
+ | Xinglish: Understanding Your Chinese Tour Guide\\ | ||
+ | Yinglish: A Bartender' | ||
+ | Zinglish: Snappy Comebacks 101\\ | ||
+ | |||
+ | [Don't get one? Don't ask me what it means... look it up!] | ||
+ | |||
+ | ====INSTIGATION: | ||
+ | |||
+ | Freewrite a stream-of-consciousness | ||
+ | piece that muses on the color and | ||
+ | consistency of blood. But avoid the | ||
+ | obvious vampire or killer perspective-- | ||
+ | start with a blank slate and move | ||
+ | toward developing an original scenario. | ||
+ | |||
+ | What did the cat drag in? Make it | ||
+ | disgusting. | ||
+ | |||
+ | If Hell were a travel destination, | ||
+ | would a vacation there be like? Be a | ||
+ | tour guide for your characters -- or | ||
+ | describe it from the tourist' | ||
+ | from the moment they arrive. | ||
+ | |||
+ | ====GORELETS==== | ||
+ | |||
+ | Pecking Zombies | ||
+ | |||
+ | they nosh the corpse\\ | ||
+ | meticulously pinching\\ | ||
+ | at the buffet brain\\ | ||
+ | with duckbill hand\\ | ||
+ | gestures that cast\\ | ||
+ | silly shadow puppets\\ | ||
+ | upon the smeared wall --\\ | ||
+ | the spectator child\\ | ||
+ | never bats an eye\\ | ||
+ | |||
+ | ====NOT DEAD YET: PRINT REVIEWS==== | ||
+ | |||
+ | Many people reading this are probably | ||
+ | familiar with the name Clark Ashton | ||
+ | Smith. His wonderfully creepy story, | ||
+ | "The Return of the Sorcerer" | ||
+ | classic contribution to the Cthulhu | ||
+ | Mythos that HP Lovecraft and his circle | ||
+ | constructed in the pages of Weird | ||
+ | Tales magazine. Yet Smith thought of | ||
+ | himself as a poet and -- indeed -- he | ||
+ | was a remarkably prolific and talented | ||
+ | poet of the fantastic. | ||
+ | |||
+ | In October last year, Hippocampus | ||
+ | Press released The Last Oblivion: Best | ||
+ | Fantastic Poems of Clark Ashton | ||
+ | Smith. If you haven' | ||
+ | poetry, this is a great introductory book | ||
+ | to own and study (and if you're | ||
+ | studying up on Clark, I recommend | ||
+ | visiting eldritchdark.com). With a | ||
+ | superb introduction by the eminent | ||
+ | Lovecraft scholar S.T. Joshi and David | ||
+ | Shultz, the book collects Smith' | ||
+ | important works from his fifty years of | ||
+ | writing, ranging from 1912 to 1962. | ||
+ | Smith was a brilliant imagineer, | ||
+ | constructing fantastic worlds with the | ||
+ | ominous voice of a dark Seer. It's the | ||
+ | voice of Smith that makes his creations | ||
+ | so damned believable...and scary. And | ||
+ | that voice derives a lot of its power | ||
+ | from formal structures of rhyme and | ||
+ | meter -- lyrical forms that few poets | ||
+ | today even dare tackle for risk of | ||
+ | sounding corny or artificial. Clark' | ||
+ | talent was his ability to tap into the | ||
+ | power of such forms, lending their | ||
+ | natural cadence a supernatural aura. | ||
+ | While it's true that his writing could be | ||
+ | called " | ||
+ | his style reflects the " | ||
+ | overflow" | ||
+ | |||
+ | I'm usually impatient with long poetry | ||
+ | cycles, but reading Smith is like taking | ||
+ | a magic carpet ride through the skies | ||
+ | of nightmare. Among my favorites is | ||
+ | the opening poem -- "The Hashish | ||
+ | eater; or, The Apocalypse of Evil" -- | ||
+ | which begins with a commanding voice | ||
+ | that will carry the reader throughout the | ||
+ | rest of the poem (and the book): "Bow | ||
+ | down: I am the emperor of dreams;/ I | ||
+ | crown me with the million-colored | ||
+ | sun/Of secret worlds incredible, and | ||
+ | take/Their trailing skies for vestment | ||
+ | when I soar,/ | ||
+ | zenith, and illume/The spaceward- | ||
+ | flown horizon infinite." | ||
+ | |||
+ | When you read "The Hashish Eater," | ||
+ | you probably won't notice that he's | ||
+ | writing strict iambic pentameter. You | ||
+ | probably won't recognize that he's | ||
+ | consciously working in the tradition of | ||
+ | the romantic poets (particularly | ||
+ | Coleridge and DeQuincey). Instead, | ||
+ | you'll be swept out of this world | ||
+ | altogether and delivered into the | ||
+ | palpably strange space of an imaginary | ||
+ | universe, where you can see "the | ||
+ | blooms/Of bluish fungus, freaked with | ||
+ | mercury/ | ||
+ | the moon." | ||
+ | |||
+ | Yes: freaked with mercury! | ||
+ | |||
+ | Typical Smith -- a visionary, true -- but | ||
+ | reading him makes you want to talk | ||
+ | with his tongue. I found myself | ||
+ | mumbling along as I read, needing to | ||
+ | feel such phrases in my mouth. And | ||
+ | that's just one exotic line in a poem | ||
+ | that runs about 500 lines (14 pages of | ||
+ | the 200 page book). | ||
+ | |||
+ | And there' | ||
+ | explore the settings from his prose | ||
+ | tales (like Zothique and Averoigne); | ||
+ | elegies to Lovecraft and Omar | ||
+ | Khayyam; must-read classics like "Ode | ||
+ | to the Abyss" and " | ||
+ | and the touching love poems and | ||
+ | odes, like the "The Last Oblivion" | ||
+ | There' | ||
+ | works, drawings by Smith, and a | ||
+ | (necessary) glossary of strange terms. | ||
+ | Fans of Lovecraft -- it's time to take it | ||
+ | to the next level with Smith. Horror | ||
+ | poets, bow down before this " | ||
+ | of dreams" | ||
+ | master. Smith is a challenging read at | ||
+ | times, but you'll find your very dreams | ||
+ | " | ||
+ | up a copy for a mere $15 at: | ||
+ | |||
+ | http:// | ||
+ | |||
+ | [Look for an exclusive discount on | ||
+ | Hippocampus Press books elsewhere | ||
+ | in this issue of The Goreletter!] | ||
+ | |||
+ | ====OUR ODD TRIPLE FEATURE==== | ||
+ | |||
+ | "Nazis Among Us" | ||
+ | |||
+ | For your next movie night, rent:\\ | ||
+ | Marathon Man (1976)\\ | ||
+ | Boys from Brazil (1978)\\ | ||
+ | Apt Pupil (1998)\\ | ||
+ | |||
+ | ====ONLINE GIZMO OF THE MONTH==== | ||
+ | |||
+ | "The Search for Satanic Lyrics" | ||
+ | |||
+ | No need to wear down your needle | ||
+ | playing those old record albums | ||
+ | backwards. Much like the " | ||
+ | Intelligent Life" project online -- | ||
+ | http:// | ||
+ | -- this silly gizmo uses the power of the | ||
+ | internet to help hunt for Satanic | ||
+ | messages in the lyrics of popular | ||
+ | music (eg., " | ||
+ | |||
+ | < | ||
+ | |||
+ | If you don't recognize the songs they | ||
+ | use, or if you're a budding dark | ||
+ | musician, perhaps Jay Lake can help: | ||
+ | |||
+ | < | ||
+ | |||
+ | ====ARNZEN NEWS==== | ||
+ | |||
+ | + The e-letter you are reading has just | ||
+ | been added to the Preliminary Ballot | ||
+ | for the Bram Stoker Award in | ||
+ | Alternative Forms! I'm tickled as pink | ||
+ | as a freshly cut fish gill (Many thanks | ||
+ | to those of you out there reading this | ||
+ | with the power to make that happen). | ||
+ | See what else you should be reading | ||
+ | from last year here: | ||
+ | |||
+ | http:// | ||
+ | |||
+ | + Look for " | ||
+ | Sequel" | ||
+ | up near the horror house -- in the next | ||
+ | issue of Morbid Curiosity magazine. | ||
+ | It'll be available at World Horror Con, | ||
+ | where a reading session is being | ||
+ | hosted by the magazine to include the | ||
+ | likes of me, Alan Clark, Brian Keene, | ||
+ | and other morbidly curious folk. | ||
+ | |||
+ | http:// | ||
+ | |||
+ | http:// | ||
+ | |||
+ | + Get your freak on! It's time to order | ||
+ | Freakcidents, | ||
+ | about mutants and other fiends, from | ||
+ | DarkVesper Publishing. If you pick up | ||
+ | Kurt Newton' | ||
+ | Hunter' | ||
+ | you'll get a free mini-chapbook of extra | ||
+ | poems and stories by Kurt and I called | ||
+ | -- what else? -- " | ||
+ | |||
+ | < | ||
+ | |||
+ | < | ||
+ | |||
+ | + I'll be attending the International | ||
+ | Conference for the Fantastic in the Arts | ||
+ | later this month. I'm presenting an | ||
+ | academic paper on The Exorcist, | ||
+ | (which I bet you didn't know is turning | ||
+ | thirty years old this year). I'm also | ||
+ | doing a fiction and poetry reading | ||
+ | (alongside the likes of Brain Aldiss and | ||
+ | Ted Chiang and David Sandner) | ||
+ | among other activities. I consider this | ||
+ | conference one of the " | ||
+ | of working on the fringes of academia. | ||
+ | This year's theme is "Dark Myths" and | ||
+ | Ramsey Campbell, ST Joshi, and | ||
+ | Charles Delint are the special guests. | ||
+ | All smart Floridians are welcome to | ||
+ | attend: | ||
+ | |||
+ | http:// | ||
+ | |||
+ | http:// | ||
+ | |||
+ | + Along with Piers Anthony and Mike | ||
+ | Resnick, I'll be judging the finalists in | ||
+ | the first Draco Awards. What's a | ||
+ | Draco? No, it's not a new James Bond | ||
+ | villain, silly. It's a hardcover & e-book | ||
+ | deal (now with a prize of $500!) from | ||
+ | Double Dragon Publishing for the best | ||
+ | book-length work entered in its genre: | ||
+ | |||
+ | http:// | ||
+ | |||
+ | http:// | ||
+ | |||
+ | ====WEIRD SITES OF THE MONTH==== | ||
+ | |||
+ | Creatures in my Head | ||
+ | http:// | ||
+ | |||
+ | Freakshows in my Pocket | ||
+ | http:// | ||
+ | |||
+ | Voices in my Hand | ||
+ | http:// | ||
+ | |||
+ | ====NEW AT GORELETS.COM==== | ||
+ | |||
+ | + Jerry Schatz' | ||
+ | archive a copy of his interview with me | ||
+ | (from the FlashFictionFlash newsletter) | ||
+ | on Gorelets.Com. Look under the "All | ||
+ | About Arnzen" | ||
+ | you're interested in my thoughts about | ||
+ | flash fiction and my writing process. | ||
+ | |||
+ | + The Goreletter is now ARCHIVED | ||
+ | ONLINE! Read the back issues you | ||
+ | might have missed here: | ||
+ | < | ||
+ | |||
+ | + I've launched a new, simple, | ||
+ | newsletter for fiction writers, journalists | ||
+ | and editors looking for ways to make a | ||
+ | living off their wits. It started as a tip | ||
+ | sheet for the graduating journalism | ||
+ | majors where I teach and morphed into | ||
+ | this handy document full of fresh links. | ||
+ | < | ||
+ | |||
+ | ======================== | ||
+ | BOO COUPONS | ||
+ | |||
+ | It actually pays to scroll this far down. | ||
+ | |||
+ | SHOCKLINES.COM is giving | ||
+ | Goreletter readers an exclusive | ||
+ | discount on Clark' | ||
+ | Lovecraft' | ||
+ | Horror in Literature or any other BOOK | ||
+ | published by Hippocampus Press | ||
+ | presently in their stockroom. Enter | ||
+ | discount code GORELETHIPPO upon | ||
+ | checkout and you'll get $3 off. Go right | ||
+ | to the titles here (NOTE: only in-stock | ||
+ | books are eligible -- expires on April 1): | ||
+ | < | ||
+ | |||
+ | Take 10% off the new hardcover book, | ||
+ | CEMETERY POETS, by visiting this | ||
+ | hidden exclusive secret ordering page: | ||
+ | < | ||
+ | |||
+ | FLESH AND BLOOD magazine offers | ||
+ | YOU an exclusive discount! Subscribe | ||
+ | for only $12 ($4 off!) or pay just $3 for | ||
+ | one issue (1/2 off!). Make your check | ||
+ | payable to Jack Fisher and put the | ||
+ | word " | ||
+ | field. For contact information, | ||
+ | < | ||
+ | |||
+ | FICTIONWISE.COM' | ||
+ | for Goreleteers is updated weekly. This | ||
+ | week features books by Alan Clark, | ||
+ | Bruce Boston, Nick Mamatas, & more. | ||
+ | < | ||
+ | |||
+ | Are you a writer? Try WRITE AGAIN | ||
+ | manuscript organizing software and | ||
+ | get a 10% rebate when you register if | ||
+ | you tell them that Arnzen' | ||
+ | sent you! A very practical product. | ||
+ | http:// | ||
+ | |||
+ | ====COLOPHON==== | ||
+ | All material in The Goreletter is: | ||
+ | c 2003 Michael A. Arnzen, unless | ||
+ | otherwise noted. All rights reserved. | ||
+ | Permission is granted to forward the | ||
+ | entire contents as a whole, without | ||
+ | alterations or excisions. For reprint | ||
+ | permissions of individual pieces, | ||
+ | please contact arnzen@gorelets.com. | ||
+ | |||
+ | This newsletter is formatted in one | ||
+ | skinny column to accommodate | ||
+ | handheld computer users. If you own a | ||
+ | PDA, try The Goreletter as a free | ||
+ | Mazingo channel at: | ||
+ | < | ||
+ | |||
+ | Subscribe, unsubscribe, | ||
+ | about The Goreletter at: | ||
+ | http:// | ||
+ | |||
+ | Our surrealist product endorsement: | ||
+ | http:// | ||
+ | |||
+ | ====PITHY MORBID THOUGHTS==== | ||
+ | |||
+ | "If my decomposing carcass helps | ||
+ | nourish the roots of a juniper tree or | ||
+ | the wings of a vulture -- that is | ||
+ | immortality enough for me. And as | ||
+ | much as anyone deserves." | ||
+ | -- Edward Abbey (died 1989) | ||
+ | |||
+ | ---- | ||
+ | {{page> |