goreletter:your_worst_fears
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+ | THE GORELETTER: | ||
+ | Arnzen' | ||
+ | |||
+ | http:// | ||
+ | |||
+ | +++ Vol 1 #11, May 30, 2003 +++ | ||
+ | |||
+ | **Your Worst Fears** | ||
+ | |||
+ | ---- | ||
+ | |||
+ | ====BLATHER==== | ||
+ | Blather. Wince. Repeat. | ||
+ | |||
+ | Your Greatest Fears | ||
+ | |||
+ | What are your greatest fears? Here's | ||
+ | the oft-sited "Top Ten Fears of | ||
+ | Americans," | ||
+ | Lists: | ||
+ | |||
+ | 10. Dogs\\ | ||
+ | 9. Loneliness\\ | ||
+ | 8. Flying\\ | ||
+ | 7. Death\\ | ||
+ | 6. Sickness\\ | ||
+ | 5. Deep Water\\ | ||
+ | 4. Financial problems\\ | ||
+ | 3. Insects and bugs\\ | ||
+ | 2. Heights\\ | ||
+ | 1. Public Speaking\\ | ||
+ | |||
+ | Sound familiar? How many of these | ||
+ | are your own? How many of these do | ||
+ | you exploit in others? And do you | ||
+ | really have to be American to fear | ||
+ | them? | ||
+ | |||
+ | Skepticism creeps in when I think | ||
+ | about lists like these. I start to think of | ||
+ | all the exceptions. Besides, this list | ||
+ | clearly was compiled when Cujo was a | ||
+ | bestseller. Okay, perhaps not, but it | ||
+ | was long before terrorism was bleeping | ||
+ | on the cultural radar and I'm sure that | ||
+ | today more people fear Al Qaeda than | ||
+ | they do Fido. | ||
+ | |||
+ | And then the longer I sit with it, the | ||
+ | more the horror writer inside me kicks | ||
+ | me in the shins with his razor-tipped | ||
+ | boots and tells me that EVERYTHING | ||
+ | is -- or can be -- frightening. To write | ||
+ | horror, you have to be inherently | ||
+ | paranoid. Even worse: the horror writer | ||
+ | intuits these things and then | ||
+ | complicates them so there' | ||
+ | escape: If you think " | ||
+ | is scary, then how about a sick, lonely, | ||
+ | bug-infested dog speaking through | ||
+ | megaphones about the dying economy | ||
+ | as it flies above your ocean liner? The | ||
+ | horror! | ||
+ | |||
+ | This topic is on my mind right now | ||
+ | because Tanya Twombly, a grad | ||
+ | student in the writing program where I | ||
+ | teach (setonhill.edu), | ||
+ | survey of people' | ||
+ | workshop that she's prepping on | ||
+ | societal fears in horror. [And if you've | ||
+ | got the courage to share your own top | ||
+ | ten fears, e-mail Tanya right away | ||
+ | (before June 21st) at: | ||
+ | ttwombly@frontiernet.net]. Here's the | ||
+ | first of two responses I sent her: | ||
+ | |||
+ | 10. Carpal Tunnel.\\ | ||
+ | 9. Impotence.\\ | ||
+ | 8. Blindness.\\ | ||
+ | 7. Skin cancer.\\ | ||
+ | 6. Rabies.\\ | ||
+ | 5. Illiteracy (ignorance in others; losing | ||
+ | my own control of language).\\ | ||
+ | 4. Old age/ | ||
+ | 3. Masses/ | ||
+ | 2. Bees.\\ | ||
+ | 2.a. A Conformist Mass of Illiterate | ||
+ | and Blind Bees that Sting my | ||
+ | Cancerous Carpal Tunnel-Riddled Skin | ||
+ | and Render Me Impotent until | ||
+ | Alzheimer' | ||
+ | 2.b. Old, Impotent-yet-Rabid Men Who | ||
+ | Have Skin Cancer and Collect Masses | ||
+ | of Bees.\\ | ||
+ | 1. You.\\ | ||
+ | 0. And What You're Going To Do With | ||
+ | This Information.\\ | ||
+ | |||
+ | As you can tell, I can't make it to ten | ||
+ | without being a smart-ass. | ||
+ | |||
+ | Later, she posted the question to a | ||
+ | discussion board and in a moment of | ||
+ | Lettermaniacal frivolity, I listed yet | ||
+ | another ten -- this time taking none of it | ||
+ | seriously: | ||
+ | |||
+ | 10. Fear of numbered lists, bulleted | ||
+ | lists, top ten lists, and all corporate | ||
+ | forms of communication.\\ | ||
+ | 9. Fear of CNN.\\ | ||
+ | 8. Fear of Flying. The book.\\ | ||
+ | 6. Fear of forgetting how to count to | ||
+ | ten.\\ | ||
+ | 5. Fear of information gathering, | ||
+ | surveys, and so forth, falling into the | ||
+ | hands of not only direct marketers, but | ||
+ | also Richard Simmons.\\ | ||
+ | 4. Okay, I really just fear Richard | ||
+ | Simmons' | ||
+ | phase, they' | ||
+ | and disturbing way. Look at the nails if | ||
+ | you don't believe me.\\ | ||
+ | 3. Fear of fear itself. Oh wait, I mean | ||
+ | "Fear of repeating clichés without | ||
+ | realizing it."\\ | ||
+ | 2. Fear of lawnmower noises when you | ||
+ | don't see anyone in the neighborhood | ||
+ | mowing their lawn.\\ | ||
+ | 1. Fear of compost.\\ | ||
+ | |||
+ | By this point, you're probably thinking | ||
+ | that you'd never want a sarcastic | ||
+ | bastard like me for a teacher. But there | ||
+ | are reasons why I can never answer | ||
+ | this question about fear straight. | ||
+ | |||
+ | The first is a common one: horror | ||
+ | writers are asked "What scares you?" | ||
+ | all the damned time. As if you couldn' | ||
+ | figure it out from reading our work. | ||
+ | Eventually we develop stock answers | ||
+ | that mean nothing, like " | ||
+ | " | ||
+ | anymore -- I've become a emotionless | ||
+ | lump, overdosed on my own gothic | ||
+ | angst." | ||
+ | |||
+ | I used to always say " | ||
+ | me. That sounded generic and truthful | ||
+ | enough. But it was a boring answer. | ||
+ | And I also stopped getting gifts and | ||
+ | surprise parties. So now the answer I | ||
+ | always give is: " | ||
+ | the first list I sent to Tanya. But it's also | ||
+ | the stock answer I've given time and | ||
+ | again. Because it's honest. People | ||
+ | scare me more than anything. The | ||
+ | human mind is capable of rationalizing | ||
+ | virtually ANY behavior, whether we're | ||
+ | talking about the individual psycho or | ||
+ | the collective mass mind. Dahmer | ||
+ | thought it was perfectly logical to drill a | ||
+ | hole in someone' | ||
+ | hydrochloric acid into his head, in order | ||
+ | to create a zombie sex slave. The | ||
+ | people who build nukes think they are | ||
+ | perfectly safe or even necessary for | ||
+ | world peace. Rationalization is what all | ||
+ | evil villains and mad scientists do. That | ||
+ | capacity in mankind is what scares me | ||
+ | -- and it's also laughable -- and that's | ||
+ | why I write about it the way I do. | ||
+ | |||
+ | But I have other reasons for my | ||
+ | sarcasm. Like, naturally, why would I | ||
+ | confess my fears to a student who | ||
+ | probably fantasizes about torturing me | ||
+ | day in and day out as an act of | ||
+ | revenge? Why would I give > | ||
+ | instructions on how to freak me out? | ||
+ | Doesn' | ||
+ | fear's fight or flight? Sometimes it's a | ||
+ | call for comfort to tell people you're | ||
+ | afraid (like an airline passenger might | ||
+ | say " | ||
+ | got a fear of heights" | ||
+ | takes off.) But that's also something | ||
+ | that can be used against you by the | ||
+ | terrorists of everyday life. (" | ||
+ | your coworkers say with a grin as they | ||
+ | press the top button on the elevator | ||
+ | panel and block you from pressing | ||
+ | anything lower....). Unless you're a | ||
+ | masochist or a liar you simply do not | ||
+ | confess your fears. | ||
+ | |||
+ | And, secondly, fear is something that's | ||
+ | in a perpetual state of flux, isn't it? It's | ||
+ | unstable. That's part of what makes it | ||
+ | scary. And that's what makes a top ten | ||
+ | list different every day. One moment I | ||
+ | fear that terrorists are on the plane; the | ||
+ | next I fear the pilots are drunk. One | ||
+ | moment I fear E. Coli in the sandwich I | ||
+ | eat; the next I fear the chemical | ||
+ | cleanser I just washed my hands with. | ||
+ | |||
+ | You just can't win. | ||
+ | |||
+ | I'm not paranoid. I just think a lot about | ||
+ | possibilities...and anything' | ||
+ | So it's hard to whittle fear down to ten | ||
+ | easy-to-swallow caplets. Maybe that's | ||
+ | why I keep writing fiction and poetry... | ||
+ | to struggle with the complexities of | ||
+ | fear. | ||
+ | |||
+ | The great Ray Bradbury, however, | ||
+ | once recommended this " | ||
+ | technique as a way of coming up with | ||
+ | ideas for stories. In his article, "The | ||
+ | Thing at the Top of the Stairs," | ||
+ | claims that if you list your childhood | ||
+ | fears in the form of nouns, you'll have | ||
+ | plenty of titles to get you started on a | ||
+ | good story. So he lists things like The | ||
+ | Lake, The Night, The Cricket, The | ||
+ | Basement, The Baby, The Crowd, The | ||
+ | Carnival, etc. | ||
+ | |||
+ | Of course, a crowd of carnival | ||
+ | sideshow babies chirping like insane | ||
+ | crickets as they shamble wet out of a | ||
+ | lake at night would make quite a horror | ||
+ | story. | ||
+ | |||
+ | [ Are you afraid to click on unattributed | ||
+ | links you get in email? Get over it and | ||
+ | click here for the top ten phobias: | ||
+ | < | ||
+ | |||
+ | ====WEIRD SITES OF THE MONTH==== | ||
+ | |||
+ | Lego Death | ||
+ | http:// | ||
+ | |||
+ | Lego Torture | ||
+ | < | ||
+ | |||
+ | Lego Machine Gun | ||
+ | < | ||
+ | |||
+ | Lego Robotics | ||
+ | < | ||
+ | |||
+ | Lego Escher | ||
+ | < | ||
+ | |||
+ | Lego Mysticism | ||
+ | < | ||
+ | |||
+ | ====INSTIGATION: | ||
+ | |||
+ | + A man walks into a convenience | ||
+ | store, a bodily organ in his hand | ||
+ | (whether it's attached to him or not is | ||
+ | up to you). Write the scene from the | ||
+ | perspective of the clerk behind the | ||
+ | counter. | ||
+ | |||
+ | + Take the horror cliché, 'makes my | ||
+ | skin crawl,' | ||
+ | alternatively, | ||
+ | nasty getting under a character' | ||
+ | |||
+ | + Brainstorm a list of at least five ways | ||
+ | you'd hate to die. Combine two. | ||
+ | Imagine the worst. Make it happen in | ||
+ | prose. | ||
+ | |||
+ | [Instigation is now a WEEKLY | ||
+ | department in Hellnotes newsletter: | ||
+ | http:// | ||
+ | |||
+ | ====NOT DEAD YET: PRINT REVIEWS==== | ||
+ | |||
+ | I'm breathless from reading Lance | ||
+ | Olsen' | ||
+ | Hideous Beauties, in one extended | ||
+ | sitting. It's a dark, dynamic, exploratory | ||
+ | and ultimately experimental work of | ||
+ | fiction that -- in a phrase -- refuses to | ||
+ | look away. And that made it very | ||
+ | difficult for me to put down. | ||
+ | |||
+ | The oxymoron in the title, Hideous | ||
+ | Beauties, defines what thematically | ||
+ | binds these twelve short stories | ||
+ | together: an attraction for that which | ||
+ | would otherwise be repellent (and vice | ||
+ | versa). It's an aesthetic that the freak | ||
+ | show and the horror genre are | ||
+ | fundamentally built upon, but Olsen' | ||
+ | book is more than any mere freak | ||
+ | show, more than any simple collection | ||
+ | of tall tales. It's an exploration of | ||
+ | ugliness that refuses to look away until | ||
+ | it pins down the truth. In fact, it actively | ||
+ | gets us to look closer than we | ||
+ | otherwise might at the grotesque. | ||
+ | |||
+ | Like many of Olsen' | ||
+ | audaciously bends the rules of | ||
+ | language and form, playing with | ||
+ | structure on a journey toward fresh | ||
+ | insights the way an experimental artist | ||
+ | might mix media. The structuring | ||
+ | device of this collection is a little | ||
+ | reminiscent of his most recent | ||
+ | slipstream collaboration with artist (and | ||
+ | his significant other) Andi Olsen, a | ||
+ | novel called Girl, Imagined by Chance. | ||
+ | In Girl, the Olsens created a series of | ||
+ | rendered photographs, | ||
+ | sequenced the novel like a family | ||
+ | album or child' | ||
+ | image followed by a chapter that was | ||
+ | in every way about the photograph -- if | ||
+ | not photography itself. In that novel, | ||
+ | the narrative traces the way a couple | ||
+ | deceives a distant grandmother that | ||
+ | they have had a child -- and | ||
+ | themselves in the process -- when in | ||
+ | fact, they' | ||
+ | of kids and send them back to Granny. | ||
+ | It's a masterful novel, at once a | ||
+ | touching love story and scathing | ||
+ | indictment of " | ||
+ | our culture, in addition to being, among | ||
+ | other things, a spiritual autobiography, | ||
+ | a work of art criticism, and a bound | ||
+ | exhibit of Andi's work. | ||
+ | |||
+ | In Hideous Beauties we're treated to a | ||
+ | similar conceit: each short story is | ||
+ | inspired by a work of grotesque art | ||
+ | (most of which is only referenced in a | ||
+ | dedication to the artist, not actually | ||
+ | reprinted). The art of the opening and | ||
+ | closing stories is generated by Andi | ||
+ | Olsen' | ||
+ | and it's merged with Lance' | ||
+ | a collage of words and images. These | ||
+ | pieces (which have appeared in Fiction | ||
+ | International and Yellow Bat Review) | ||
+ | can best be called a " | ||
+ | illuminated manuscript," | ||
+ | this book as a whole in many ways | ||
+ | purports to be. In other pieces, we get | ||
+ | direct reference to famous paintings, | ||
+ | like Two Children Menaced by a | ||
+ | Nightingale, | ||
+ | discussing the color patterns in Max | ||
+ | Ernst' | ||
+ | before launching into a nightmarish | ||
+ | tale about a father and daughter. At | ||
+ | other times, the poetic layout of | ||
+ | Olsen' | ||
+ | the artwork referenced, as in the dual | ||
+ | columned story, "The State Hospital" | ||
+ | (inspired by a strange alien/comic book | ||
+ | piece by Edward Kienholz). The same | ||
+ | can be said about the radically over- | ||
+ | organized " | ||
+ | Machine" | ||
+ | which is presented in outline form, | ||
+ | numerals and all. From typography to | ||
+ | narratology, | ||
+ | field for Olsen' | ||
+ | combining his background in literary | ||
+ | theory with his (or is it our culture' | ||
+ | fascination for the spectacle of the | ||
+ | strange. As the epigraph suggests, | ||
+ | " | ||
+ | |||
+ | From the experimentation with form to | ||
+ | the bright imagery, Olsen' | ||
+ | begs to be read as art -- or to have the | ||
+ | reader at least contemplate how art | ||
+ | produces meaning -- at every turn. Its | ||
+ | imagery -- " | ||
+ | seduces the senses with its precision | ||
+ | and honesty. No one describes colors | ||
+ | like Olsen. Words are paint on his | ||
+ | palette and his choices are just right. In | ||
+ | the opening tale, " | ||
+ | Mermaids," | ||
+ | smudged air green-blue as sadness" | ||
+ | and " | ||
+ | the cocaine-white beach in the | ||
+ | distance." | ||
+ | become verbs as air " | ||
+ | protagonist. | ||
+ | |||
+ | But it's not just poetry and an imagistic | ||
+ | fascination that marks this book as | ||
+ | unique. The surrealist plotting and | ||
+ | humorous tone are very rewarding, | ||
+ | too. My favorite story in the collection | ||
+ | is inspired by the fragmentation | ||
+ | inherent to the uncanny image of Hans | ||
+ | Bellmer' | ||
+ | inspired Olsen' | ||
+ | What the Dead Think About at the End | ||
+ | of the World." | ||
+ | hilariously dark story would be to give | ||
+ | away too much of the fantastic and | ||
+ | surprising plot. But let's just say it's | ||
+ | Stephen King's " | ||
+ | Kubrick' | ||
+ | couple' | ||
+ | their banal relationship takes a | ||
+ | disastrous turn. And it will definitely | ||
+ | have you rethinking your relationship | ||
+ | with your pinkie toes. | ||
+ | |||
+ | You can still catch a few excerpts from | ||
+ | this book online -- and when you read | ||
+ | the collection, I recommend calling up | ||
+ | the art referenced in the book on the | ||
+ | internet, too. Visit Lance and Andi | ||
+ | Olsen' | ||
+ | to see just how strange and hideous | ||
+ | this beautiful book really is. Highly | ||
+ | recommended for those who are truly | ||
+ | on the lookout for something radically | ||
+ | new. That's why you go to the freak | ||
+ | show, isn't it? Searching for something | ||
+ | unique in a world that requires the | ||
+ | courage to never look away. | ||
+ | |||
+ | Hideous Beauties by Lance Olsen. | ||
+ | Eraserhead Press, 2003. Trade | ||
+ | paperback. Color cover and interior | ||
+ | illos by Andi Olsen. 200 pgs. $13.95 | ||
+ | |||
+ | http:// | ||
+ | |||
+ | http:// | ||
+ | |||
+ | ====GORELETS: | ||
+ | |||
+ | Checking Out | ||
+ | |||
+ | No lines at our express check out.\\ | ||
+ | Here you would impulse buy many\\ | ||
+ | lively products if you still had a pulse.\\ | ||
+ | Our gum is far staler than you but the\\ | ||
+ | fashion zines advertise nothing new --\\ | ||
+ | the same old glamorous zombies.\\ | ||
+ | Paper or plastic? Want change?\\ | ||
+ | Our afterworld market is open 24 hours\\ | ||
+ | a night and perpetually pretends you\\ | ||
+ | can take it with you, for a price.\\ | ||
+ | But you're also always discounted: | ||
+ | Half off here, half off there, before\\ | ||
+ | you're all sold out, before you're all\\ | ||
+ | gone.\\ | ||
+ | |||
+ | ====ONLINE GIZMO OF THE MONTH==== | ||
+ | |||
+ | "The Darkly Gothic Crossword" | ||
+ | |||
+ | This is one tough -- and blasphemous - | ||
+ | - little puzzle, brought to you by the | ||
+ | dark comedians behind the Dead | ||
+ | Lounge and Sarco' | ||
+ | Grill. "The Darkly Gothic Crossword" | ||
+ | an online puzzle where every answer | ||
+ | is taken straight out of the jargon of | ||
+ | Goth culture and, literally, from | ||
+ | beyond. It's designed to torment you | ||
+ | with what it calls "the most | ||
+ | depressingly perplexing morbid- | ||
+ | minded crossword puzzle known to our | ||
+ | darkened world." | ||
+ | digging around in your Dictionary of the | ||
+ | Dead, or turning -- dare I speak it's | ||
+ | name? -- to the damned pages of the | ||
+ | dread Necrosswordicon, | ||
+ | answers to its arcane and Eldritch | ||
+ | clues. I doubt you'll be able to score | ||
+ | more than 15 answers from memory. | ||
+ | But it's worth a stab, anyway. (Don't | ||
+ | worry -- they give you clues...). | ||
+ | |||
+ | My only complaint? No entry for 666 | ||
+ | Down. | ||
+ | |||
+ | http:// | ||
+ | |||
+ | [Requires the Macromedia Flash 5 | ||
+ | Player -- it will auto-install if you don't | ||
+ | have it already (you probably do)]. | ||
+ | |||
+ | ====ARNZEN NEWS==== | ||
+ | |||
+ | + SPORTUARY is the name of a new | ||
+ | poetry collection I just finished writing | ||
+ | that Cyber-Pulp will be publishing later | ||
+ | in the year. This e-book will feature | ||
+ | surreal color artwork by the illustrious | ||
+ | Marcia Borell and contain poems with | ||
+ | titles like " | ||
+ | " | ||
+ | few haiku from this collection appeared | ||
+ | in the very first Goreletter last | ||
+ | September). Check out the sneak | ||
+ | preview page at gorelets.com: | ||
+ | |||
+ | < | ||
+ | |||
+ | + Gorelets: Unpleasant Poetry is now | ||
+ | slotted for an October release from | ||
+ | Fairwood Press. And I'm happy to | ||
+ | announce that Double Dragon | ||
+ | Publishing will concurrently release an | ||
+ | e-book version...with twenty-one bonus | ||
+ | Gorelets, on top of the other fifty-two! | ||
+ | |||
+ | http:// | ||
+ | |||
+ | http:// | ||
+ | |||
+ | < | ||
+ | |||
+ | + " | ||
+ | title of an anthology, edited by G.W. | ||
+ | Thomas of " | ||
+ | presents interpretations by various | ||
+ | poets of an epitaph found on an old | ||
+ | tombstone in a forgotten country | ||
+ | cemetery. My interpretation of what | ||
+ | Julia might be a daughter of is in my | ||
+ | contribution, | ||
+ | figure. This e-book is hot off the ether | ||
+ | from Cyber-Pulp. (I'll also appear in | ||
+ | their upcoming antho of dark road | ||
+ | stories, Wicked Wheels, in the near | ||
+ | future): | ||
+ | |||
+ | < | ||
+ | < | ||
+ | |||
+ | + If you liked the free " | ||
+ | Monsters" | ||
+ | Sidereality, | ||
+ | Schuster' | ||
+ | more monstrous monstrosities! Check | ||
+ | this artist out and share your horrified | ||
+ | reactions in his new live journal. | ||
+ | |||
+ | < | ||
+ | http:// | ||
+ | |||
+ | + I'll be attending the Horrorfind | ||
+ | Convention in Baltimore, August 15-17. | ||
+ | If you're anywhere near Poe's former | ||
+ | haunt, my reading is on Sunday | ||
+ | afternoon. | ||
+ | |||
+ | http:// | ||
+ | |||
+ | + " | ||
+ | HORROR...What is so brilliant about | ||
+ | this collection is how Arnzen uses | ||
+ | literal outside descriptions of the freaks | ||
+ | to describe the internal alienation and | ||
+ | awkwardness of humans." | ||
+ | Purfield, B-Independent.com | ||
+ | |||
+ | Feel the fiend. Touch the terror. | ||
+ | Caress the carnage. Go to DarkVesper | ||
+ | Publishing or Shocklines.com and | ||
+ | order Freakcidents: | ||
+ | Sideshow today: | ||
+ | |||
+ | < | ||
+ | http:// | ||
+ | |||
+ | ====SNIPPETS OF THE STRANGE==== | ||
+ | |||
+ | Things I Said When Hyped Up On | ||
+ | Krispy Kreme Donuts and Coffee, 5/25 | ||
+ | |||
+ | "Why don't Americans trust people in | ||
+ | bow ties? I'll tell you why. Because | ||
+ | pets and clowns wear them, that's | ||
+ | why." | ||
+ | |||
+ | " | ||
+ | Well I have an ass ceiling and I hit my | ||
+ | head on it often." | ||
+ | |||
+ | "Hear that song? That's The Loving | ||
+ | Spoonful. But what does the Hating | ||
+ | Forkful play? That's what I wanna | ||
+ | know!" | ||
+ | |||
+ | [ Thanks to Becca Baker, the best note | ||
+ | taker I've ever met, for actually | ||
+ | transcribing when I wasn't looking. ] | ||
+ | |||
+ | ====LET' | ||
+ | |||
+ | EIGHTY of you took me up on my offer | ||
+ | last issue to include links on | ||
+ | gorelets.com as a way of saying | ||
+ | thanks for reading. You're entitled to | ||
+ | have a mention on my site just for | ||
+ | indulging me with this newsletter. So | ||
+ | send me an e-mail request with your | ||
+ | name and your URL and I'll add you! | ||
+ | |||
+ | < | ||
+ | |||
+ | I encourage you to surf these pages... | ||
+ | you might be surprised by the people | ||
+ | who are on this list! | ||
+ | |||
+ | Naturally, I'd appreciate a link back to | ||
+ | gorelets.com. To add a " | ||
+ | your page, include this HTML code: | ||
+ | |||
+ | < | ||
+ | |||
+ | ====DATA + ERRATA = DRATTA==== | ||
+ | |||
+ | Instigated this month by a prompt from | ||
+ | The Goreletter: | ||
+ | |||
+ | " | ||
+ | < | ||
+ | |||
+ | Likewise, in an homage to my | ||
+ | chapbook, Paratabloids, | ||
+ | Leigh Relf reports that a poem she | ||
+ | wrote based on a Weekly World News | ||
+ | headline -- " | ||
+ | Camper for his Love Slave" -- will be | ||
+ | published in a future issue of | ||
+ | Sidereality.com. I recently read Terrie' | ||
+ | new e-book, Metro Madness, and | ||
+ | enjoyed it quite a bit. Relf shows a flair | ||
+ | for delivering foreboding concepts and | ||
+ | twisted images in tight little packages | ||
+ | like this haiku: | ||
+ | |||
+ | ancient mating ritual\\ | ||
+ | two enter the cocoon\\ | ||
+ | one emerges\\ | ||
+ | |||
+ | Simple, no? But one > | ||
+ | Her book is full of dark snippets and | ||
+ | snapshot images of terror. And the | ||
+ | accompanying art features twisted | ||
+ | children' | ||
+ | figurine photos that lend the whole | ||
+ | book an unsettling tone. Relf's dark | ||
+ | side is black as charcoal and she's a | ||
+ | poet to watch. A disturbing read! | ||
+ | |||
+ | < | ||
+ | |||
+ | ====BOO COUPONS==== | ||
+ | |||
+ | It actually pays to scroll this far down. | ||
+ | |||
+ | FLESH AND BLOOD PRESS | ||
+ | Your response was so strong last | ||
+ | month that Flesh and Blood Press is | ||
+ | now making a knockout NEW | ||
+ | exclusive offer to readers of The | ||
+ | Goreletter: get all available back issues | ||
+ | of Flesh & Blood magazine for 30% off | ||
+ | and any of the F&B book titles for 35% | ||
+ | off. Free shipping and handling on all | ||
+ | purchases. Please send payment | ||
+ | made out to Jack Fisher with a note | ||
+ | mentioning this discount to: Jack | ||
+ | Fisher, 121 Joseph St., Bayville, NJ | ||
+ | 08721 | ||
+ | |||
+ | < | ||
+ | |||
+ | DARK ANIMUS MAGAZINE | ||
+ | One of the best new horror magazine' | ||
+ | of the year -- Dark Animus -- will give | ||
+ | you $3 off a postage paid subscription | ||
+ | (from Australia). That means a year's | ||
+ | worth of dread for only $15! DA | ||
+ | contributors have included myself, | ||
+ | Graham Masterton, Mark McLaughlin, | ||
+ | Tim Curran, and others. You can begin | ||
+ | your sub with back issues, too. To get | ||
+ | your discount, include the phrase | ||
+ | " | ||
+ | order form available at: | ||
+ | |||
+ | http:// | ||
+ | |||
+ | SHOCKLINES BOOKSTORE | ||
+ | Shocklines.com' | ||
+ | this month is a real treat for fans of the | ||
+ | classic Weird Tales magazine and the | ||
+ | works of HP Lovecraft. Through July | ||
+ | 1st, visit shocklines.com and if you | ||
+ | enter coupon code GOREMASTER | ||
+ | when you check out, you'll get $4 off | ||
+ | the already discounted hardcover | ||
+ | edition of Arkham' | ||
+ | Here's a direct link for more info: | ||
+ | |||
+ | < | ||
+ | |||
+ | FICTIONWISE E-BOOKS | ||
+ | Fictionwise.com' | ||
+ | Goreleteers is updated weekly. This | ||
+ | week's features include free -- FREE! - | ||
+ | - Hugo Award nominees in ebook | ||
+ | format, along with stories by dark | ||
+ | fiction writers Tim Waggoner, Bruce | ||
+ | Boston, Mark Sanchez, and more: | ||
+ | |||
+ | < | ||
+ | |||
+ | CEMETERY POETS ANTHO | ||
+ | Take 10% off the new hardcover book, | ||
+ | Cemetery Poets, by visiting this hidden | ||
+ | exclusive ordering page on my site: | ||
+ | |||
+ | < | ||
+ | |||
+ | WRITE AGAIN SOFTWARE | ||
+ | Are you a writer? Try Write Again | ||
+ | manuscript organizing software and | ||
+ | get a 10% rebate when you register if | ||
+ | you tell them that Arnzen' | ||
+ | sent you! A very practical product. | ||
+ | |||
+ | http:// | ||
+ | |||
+ | ====COLOPHON==== | ||
+ | All material in The Goreletter is: | ||
+ | © 2003 Michael A. Arnzen, unless | ||
+ | otherwise noted. All rights reserved. | ||
+ | Permission is granted to forward the | ||
+ | entire contents as a whole, without | ||
+ | alterations or excisions. For reprint | ||
+ | permissions of individual pieces, | ||
+ | please contact arnzen@gorelets.com. | ||
+ | |||
+ | This newsletter is formatted in one | ||
+ | skinny column to accommodate | ||
+ | handheld computer users. If you own a | ||
+ | PDA, try The Goreletter as a free | ||
+ | Mazingo channel at: | ||
+ | < | ||
+ | |||
+ | Subscribe, unsubscribe, | ||
+ | about The Goreletter at: | ||
+ | http:// | ||
+ | |||
+ | Our surrealist product endorsement: | ||
+ | http:// | ||
+ | |||
+ | ====PITHY MORBID THOUGHTS==== | ||
+ | |||
+ | "A man is not completely born until he | ||
+ | is dead." -- Ben Franklin (died 1790) | ||
+ | |||
+ | ---- | ||
+ | {{page> |