The Sultan’s Elephant is a giant marionette parade that is so artfully done, it strikes one as uncanny. As I wrote in November, most parade floats have an uncanny appeal, but in this case the doll’s appearance seems much less mechanical (ergo, more organic) than all the visible equipment and support needed to operate it. The eyes are what do it for me: on the elephant, especially, who’s segmented metallic trunk is a monstrosity. There is a backstory here, about an elephant who travels in a time machine, and it is inspired by the work of Jules Verne.
This is a traveling show that has been rebuilt as part of a much larger exhibit: Les Machines de L’ile Nantes (English: The Machines of the Isle of Nantes) — essentially a giant mechanical bestiary!
The video below reveals just how scary-yet-magical this all is. It’s a great instance of the uncanny in popular culture — and also a beautiful example of social/collective art.
[Thanks to writer Steve Vernon for calling my attention to this.]
This was quite moving for me. For some reason, it made me want to cry. Not because it was sad or anything, it was just so amazing.
I truly was amazed of this little giant girl. Would love to see her here in Washington DC. Very impressionable