The Uncanny Hands of Horror Fiction

   I’ve just posted an annotated list of “Classic Dismembered Hand Stories” on my creative writing weblog, The Goreletter. (This “hands” list was originally scheduled to appear in The Book of Lists: Horror, but was cut for space — but I do have another article in that book on “Top Horror Colleges”!).

Stories about dismembered hands that “act on their own accord” (Freud) are a rich symbol of the Uncanny, and movie makers have especially employed it to great — if not corny — effect. In chapter two of The Popular Uncanny, I present a cultural history of the changing function of this genre icon in horror cinema — from one of the earliest films (Vitagraph’s one-reeler, The Theiving Hand) to the present day (Flender’s stoner comedy, Idle Hands).

By Michael Arnzen

Michael Arnzen holds four Bram Stoker Awards and an International Horror Guild Award for his disturbing (and often funny) fiction, poetry and literary experiments. He has been teaching as a Professor of English in the MFA program in Writing Popular Fiction at Seton Hill University since 1999.

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