The Literal Coney Island of the Mind

“Dreamland” is an amazing concept for an amusement park attraction based on literal interpretations of Freud’s theories. I’m learning about this from Zoe Beloff‘s exhibition at Coney Island museum (running till July 2010): The Coney Island Amateur Psychoanalytic Society and Its Circle, 1926-72. I’m ordering the book that covers the history of this fascinating group,… Continue reading The Literal Coney Island of the Mind

Mock Band: The Simulation of Artistic Processes

Rob Horning‘s recent essay in PopMatters — called “Doomed to Dilettantism” — performs an alarming and fantastic excoriation of the trend toward substituting “professionalism” in the arts with “amateurism” by consumers. Ingeniously, Horning connects the proliferation of faux-artisan strip mall stores like Michael’s (the chain craft store “Where Creativity Happens”) to the consumerist propensity for… Continue reading Mock Band: The Simulation of Artistic Processes

Gel Remote: Object Empathy and The Tactile Uncanny

Adbusters # 78 asks “What if design stood up for itself? What if instead of bowing immediately to our demands, design gently pushed back?”  In the “Psychodesign” slideshow (by Sarah Nardi), products like Panasonic Design Company‘s experimental “Gel Remote” (above) are framed as a political use of the uncanny, animating the inanimate icons of everyday life in order to… Continue reading Gel Remote: Object Empathy and The Tactile Uncanny

Call for Papers: Thinking After Dark – Horror Video Games

Ludicine has posted a call for papers to an intermedial conference focused on horror video games (and films and books and such), entitled “Thinking After Dark.” With a focus on such topics as “figures of interactivity specific to the survival horror subgenre” and a featured guest in Barry K. Grant as a keynote speaker, this… Continue reading Call for Papers: Thinking After Dark – Horror Video Games

Slideshow on Freud’s Uncanny

[UPDATE 4/29/12…] Dr. Rob McMinn (the UK teacher behind the We Study Media edublog) gives a succinct overview of Freud’s work on the uncanny (das Unheimliche) in relation to horror texts and the media, in the following slideshow (formerly a “slideshare”, now a google document) related to one of his courses: I particularly liked this… Continue reading Slideshow on Freud’s Uncanny

30 Rock Popularizes the Uncanny Valley

There’s a lot of talk lately about how uncanny Tina Fey’s impression of VP hopeful Sarah Palin really is, and with the next season of her Emmy-award winning TV show,  30 Rock, getting ready to launch at the end of the month, I thought the timing was right to post a consideration about this very… Continue reading 30 Rock Popularizes the Uncanny Valley

Uncanny Media 2008 Reflections

Conference reports and reflections from the Uncanny Media conference in Utrecht, Netherlands (2008) are starting to pop up online. Since it relates to my work on The Popular Uncanny, I was very interested in attending this event, but was unable to, so I’m seeking as many discussions and reports from the conference as possible online… Continue reading Uncanny Media 2008 Reflections

The Unlearning: Horror and Transformative Theory

My essay on the teaching of horror fiction — “The Unlearning: Horror and Transformative Theory” — just went live in the debut issue of the journal, Transformative Works and Cultures. Here’s the opening passage: I. Introduction: Fear is Never Itself The horror genre has many reasonable lessons to teach us, even though it is perhaps… Continue reading The Unlearning: Horror and Transformative Theory

Irony and The Return of the Repressed

“The unconscious is very serious today — even a little bit sad — because we repress serious things into it: sex, death, libido, desire. But if it were irony and off-handedness which were repressed, what form would the new unconscious take then? It would become ironic; we would have ironic, breezy drives and fantasies, which… Continue reading Irony and The Return of the Repressed